Toy Story

by Lakshmi Prabhala

Toys are often created to have a universal appeal that can transcend barriers of language and region. Toys can also be a very artistic yet realistic representation of toy-maker’s own world, with themes revolving around rural life, animals, birds, artisans and mythological characters, all handcrafted in combination of vivid and eye-catching colours.

In a village called Kondapally, 14 km away from the South Indian town of Vijayawada, there is a community of artisans whose forefathers migrated from Rajasthan in the 16th century bringing with them the art of crafting toys. Every member of the household takes part in the activity of toy-making in the heart of Kondapally, in what's called the “Toys Colony”.

In the verandas and backyards of their homes, the artisans are seen continuously busy with various activities connected to the making these toys. These craftsmen chisel these life-like toys out of locally available tella puniki wood. This variety of wood is chosen because it is soft, light in weight and at the same time strong. The wood is first processed and dried thoroughly to prevent it from getting worm infested. Every unit of the toy is then individually carved out and later joined with an adhesive paste. Most of the men are involved in the carving and woodwork while women look into the delicate works of painting them with vibrant colours and providing the finishing touches.

It is indeed fascinating to witness how the nimble fingers of the craftsmen can transform very ordinary chunks of wood into lively characters from a village or Indian mythology. Among the more popular of these Kondapally bommalu (toys) are the Elephant with Ambari, the Dasavataram (a depiction of the ten avatars of Lord Vishnu), the Pallaki or palanquin bearers with bride and groom. The swinging doll made from paper mash is also a huge favourite.  

In the days of the yore an integral part of the Dusshera and Sankranthi celebrations was the “Bommala Koluvu”, when toys were collected and ceremoniously displayed, and most children and women would vie to have the most grand and elaborate collection.

The artisans of Kondapally would make the most business during these festivals, but these traditions are slowly vanishing and with them artisans are forced to look at measures to cut costs, and switch to enamel colours instead of natural dyes.  

But Kondapally artisans have done well to carve a niche in the handicrafts industry, even if the toys have become mere souvenirs. This art-form has lasted for centuries, and despite the odds it is indeed encouraging to note that the next generation intends to continue in the steps of their forefathers. With some useful innovations, including an online store to spread the wonders of Kondapally all over the world.